Thursday, 14 November 2013

Dissertation workshop

Dissertation workshop
With Esther

It had some informative stuff, but like most of our contextual studies it tended to draw on and on and on...so it goes I suppose :) 

Academic practice
·      Structure
·      Content
·      Referencing and citations (Harvard)
·      Plagiarism and how to avoid it
·      Presentation and formatting
Remember to pace yourself and make sure you have time to fully create your essay

A dissertation must have …
·      Title
·      Abstract
·      Table of contents and if relevant table of figures (images)
o   Introduction
o   A clear discussion that uses:
o   Relevant examples
o   Relevant literature
o   Properly referenced
o   Synthesis of examples ideas and evidence
·      Conclusion
·      Bibliography

·      Subsections are useful
·      Images are useful

Make sure you discussion is clear, that is one of the reasons that you are asked to write an abstract.
Make sure that all your examples are relevant to your title

What is an abstract?
A summary of the entire discussion AFTER it has been completed
It is not a proposal but a statement
Maybe like telling someone they are going for a walk

What does an introduction do?
It sets out the main argument and direction of the essay it is like giving the reader a map for the walk.

A dissertation does not only describe an example. It must also,
·      Synthesize
·      Analyze
·      Explain
·      Make connections
What do you want to say?
Don’t over describe.
Why are you describing this? What are you trying to explain with this description?

Content
·      Theory: a tool to help you understand and explain
·      Examples: that illustrate of demonstrate
·      Arguments: use theory and examples to build a discussion

Useful sources to include:

Collins Jane & Andrew Nisbet (eds.) 2010. Theater and performance desing: a reader in scenography, London: Routeldge.

Tyson Lois 2006. Critical theory today: a user freiendly guide. New York: Routledge

A Conclusion is …

·      Made up of all the parts and demonstrates where you have arrived at the end of your “walk”
·      The accumulative out come of the points along the way
·      Demonstrates the development of your discussion
·      It should not include new points: they go in the essay

Sentences paragraphs and using source material…
Analyse, compare, synthesize, evaluate, apply, and justify…

What is a sentence… a complete sentence must make sense on its own, but its meaning is expanded within the paragraph

What is a paragraph… it should contain a POINT, an EXAMPLE, an EXPLANATION.

How to use source material..
·      Summarize
·      Analyze the idea to say something else
·      Direct quotes
·      Larger direct quotes
If you use a large quote, then you need to discuss your quotation and touch on what the relevant points are. What does it demonstrate? Why did you put it there?

Do not make big claims without having support for them
Use sources to justify your point

Different types of sources,
Images
Productions
Designs
Interviews
Reviews
Stories
Films
Plays
All help to identify your subject

Academic books
Academic journals
Help to analyze your subject

How to use your images successfully…
·      What is it for?
·      To illustrate a point?
·      To demonstrate a point?
·      What is the difference?
·      USE all images in the discussion
Reference all images and include a table of images

Berger John 1972. Ways of seeing. Lodon: BBC; Penguin

Referencing reminder
·      What, why, and when?
·      Harvard to demonstrate and link to source (and avoid plagiarism) all the time…
Avoiding plafiarism is simple
Reference the source of all information you use. You must do this:
Everytime you quote
Every time you paraphrase of summarise
Every time you express and idea that has been informed by someone else
Every time you mention the work of opinion of some one else

Plagiarism.org/index

HARVARD SYSTEM
·      In text citations (author, date: page number)
o   After every quote paraphrase summary reference to someone else’s idea
·      Bibliography at the end of the document
o   Author (Ed). (date). Titles. publication details (where, what company). Ed is only if it is edited
Citation in the essay: (Brook, 1968:XX)
Website. Find the author,

  • Author/identifying label (date). Title. Organization. Web Address. [access date]


Presentation and formatting
·      Present a bibliography
·      Paragraphs
·      Accurate spelling
o   Common errors
·      Accurate punctuation
o   Common errors
·      How to…
o   Margins, page numbers, font size and other important aesthetic details
·      Common errors:
·      Their/there
·      Affect/effect
·      Where/were
·      It’s/its
Apostrophes and how to use them…
Contractions: it’s (it is), doesn’t (does not) etc. Do not use contractions write out in full
Possession: one woman’s hat; sarah’s house

Sloppy stuff get rid of “ings”
Instead state the subject state your argument (present your perspective)
Unnecessary stuff…
·      Book titles
·      Peoples first names or titles
·      Biographical details
·      Over description
Process:
·      Dissertations
·      Start with a working title-question
·      Research plan write research more
·      Reorganize replan rewrite
·      Rewrite edit proof read
·      Check bibliography and all references and citations
·      You now have an answer/discussion. Not a question.
·      Make sure the title and abstract make a statement
Formatting
·      Font times new roman, or arial 12 point
·      Double space
·      2.5 to 3.5 cm (1”-1.5”) on all 4 sides of pages
·      Page numbers (from first page of written text) and your name on every page
·      Bound in a plastic folder
·      3x hard copies (one in color, if applicable) plus 1 disk (supply one awesome copy and two copies that meet the format)

Turnitinßplagiarism cite

Check in with study support for international students J


Monday, 11 November 2013

The Fitting


The fitting went pretty well today, Naomi seemed fairly please that I had made sure to do all the things that she asked, i.e. tack out seam allowances, put a small gather stitch across the head of the sleeve, etc. My biggest mistake was not realising that the top coat had side vents, I'm a little upset that none of the tutors said anything to me since they had all seen it. Some of them even helped me to figure out how to sew them together, I just feel like we don't get enough studio support. With Elizabeth the far off offices we rarely see her, and Glenda is only in for the 3rd years once a week, Naomi is there for the 3rd years once a week, and Eileen's there, if she's not sick, or busy and she does have a lot to do. But it is what it is I suppose, though it's uber frustrating and I could rant for far longer. Any way here are some pictures of my model from the fitting :) 




Yeah, my model was having quite a good time :)








Now for the To do list from the fitting,
Pantaloons,
-Extend the back panels by 1/2" at the side seams
-Add more fabric 'round calves
Top Coat,
-Redraft the collar
-Add 2" to bottom of coat
-Add 4" to sleeve length
-Lower Pocket
-Add curve to top coat lapel
Drawings to go with my notes 
-Take in as marked at back waist of top coat
-Add more fullness to skirt
-Side vents need to be open at back
Waist Coat,
-Take in at CB as marked 
-Change CF line as marked
-Note: there is also now a mark for where the waist coat should end
-Play with waist coat collar, make slightly smaller with more of a curve down.
Under Shirt,
-Change Neckline as marked 
-Note that cuffs are correct size 
-Talk about collar, button on? Fixed back opening?
-Finish all Seams
So for my undershirt I wanted to make sure that the front layed flat and didn't want to put in a placket with the pin tucks. So I made it open up the back like some of the shirts that we had at my old theatre.   I couldn't believe how worked up the tutors got about it, I felt it was really strange that we're always being told to try new things, be innovative, and that there's "no wrong way" to do things. Yet I felt like all that was thrown to the wind as soon as I tried something that they hadn't necessarily seen before, and then it was mentioned that it wasn't historically accurate but it's a theatre piece and it's supposed to be functional....ugh it was just really frustrating. I want to stand my ground and keep it the way it is, but at the same time if I'm going to be marked down because of it then I'll change it. 

Getting ready for the first fitting

Well I think this is as good as it's going to get before the first fitting. All my seam allowances are tacked out. I have on sleeve sew and ready to be set in the sleeve hole, I've made sure to put a waist band around my trousers as well as make sure they are sewn up the front and open in the back (which is what is done fore males...think about it) cf is tacked out. Temporary cuffs are put on the shirt for measurement purposes. I've left the seams of the undershirt unfinished, just in case it needs to be sized differently, I'm planning on doing flat-felled seams and those would just be an absolute pain to take out if I need to change some stuff around. I've also sewn a piece of ribbon that I may use for stripes onto the waist coat. I have all may fabric samples ready (and they've all been approved by the designer). I've also marked out where all the buttons will go with safety pins, so that they'll be able to have an idea of how things will look.  I also put together my big bag of needed bits and bobs, including,
Shears
Snips
Saftey Pins (though I found out Naomi prefers standard pins)
Standard Pins (all pins are prepared on a large cushion)
Extra Muslin
Tape Measure
Research Book-in which I book marked all the research that explains my choices for what I did with my costume
Fabric Samples
Original Design
and of course my model :)
READY OR NOT HERE I COME FITTING!!!!






Tuesday, 5 November 2013

Moving forward with the undershirt

I've made sure to put gussets in the neck and under arms to ensure a good fitI'm also quite pleased with how neat the pin tucks have turned out. I've decided that I'm going to put a back opening in the shirt like we used to do in the costume shop that I worked in in Cali, I've also seen this done as renissance faires. Maybe not the most period thing but it will keep my shirt front nice at smooth, and this isn't a full period piece it's very theatrical which I believe gives me more of an artistic license when it come to construction. 


Entry 10- fabric sampling and model


Toile is going well, and I've been able to go out and do basically all of my fabric sampling. I've gone to Brixton market, streatham high street, Goldhawk road, and empee silks located in north (and I mean NORTH) London. I'm pretty happy with the selection I have, I have about 4-5 fabric choices for each garment. Finally got around to taking pictures of my model as well!! Here he is, 
I think he'll make a good hero type figure as he's quite tall (6'4") and rather dashing. Plus he's more than happy to grow out he beard and then trim it into mutton chops like the design, unfortunately his boss won't let him grow out his hair so I'll have to get him a wig. David the designer seems quite please with my choice for my model as well so that's good :) 
The only hard part is that he doesn't go to wimbledon so I'll have to work around he's work schedule and such, but it should be fine.